Official Nome II Manual

for Firmware 5.5 / U-SYNC 1.4.1

Contents

Nome II Manual: all contents

This page contains all manual chapters, all Quick Start answers, and the technical overview.
Use your browser to search, save as PDF, or print this page.

Buttons & Connectors

Front view

Nome II front panel: display, knob, TAP, Play 1, Play 2, Setup button and SYNC LED; numbered controls described below

  1. Display - shows the current tempo (or current setting/value/info)

  2. Knob

    • turn it to change the tempo, or change settings/value

    • press it to validate or change the tempo decimals

  3. Tap Tempo Button - blinks at tempo (purple on downbeat, yellow on other beats)

  4. Play Button 1

    • start/stop your gear on MIDI Out 1

    • hold down to resync/restart your gear

  5. Play Button 2

    • Same as above, but for MIDI Out 2

    • Can be configured to mute the metronome (see the ”PL.2” setting)

  6. Setup Button - enter and leave the settings, hold down to turn off the device

  7. SYNC LED:

Combo actions:

  • Hold Setup button (yellow) + rotate turn the knob to change the metronome’s volume

  • Hold Setup button (yellow) + press Play 1 button or Play 2 / Mute button to nudge the time backward or forward

  • Hold TAP tempo button + rotate turn the knob to apply previous or next Preset

  • Hold Setup button (yellow) while tapping TAP tempo button to tap quicker tempo changes (no averaging)

  • Hold TAP tempo button + hold knob (press to confirm) for 1 sec to “lock” the tempo

Back view

Nome II rear panel: USB-C, ANLG, INPUT, AUDIO, audio mode switch and MIDI OUT 1/2; numbered ports described below

  1. USB Type-C plug

  2. CV/Analog/DIN Sync Clock Output

    • 3.5mm TRS plug
      (stereo jack)
    • sends 5V analog pulses on both Tip & Ring for your modular synths

    • can be configured to DIN Sync (sync24) for vintage gear

      • this will require a TRS-to-DIN Sync adapter

  3. Multi-function Input

  • 6.35mm TRS plug (stereo jack)

  • plug in 2 pedals here (one on Tip/Left and one on Ring/Right)

  • plug a drum pad here (to tap the tempo and/or time signature)

  • send an external sync signal here (see external sync section)

  1. MIDI Outputs

  • Sends MIDI Clock, MIDI Start/stop, and forwarded USB-MIDI messages

  • Start/stop can be independently controlled on each port

  1. Headphones/Line Out switch

  • selects headphones ( headphone output position ) or balanced line out ( balanced line output position ) for audio out (6)

  1. Audio Output

  • 6.35mm TRS plug (stereo jack)

  • plays metronome click

  • Do not send phantom power (+48V) to this output

Settings

The settings are different configuration options changing the way the Nome will act or react, when for example a button is pressed, or when a piece of hardware is plugged in.

Because it is so versatile, the device has many settings and a lot of different possibilities to configure it. But you probably only want to change a few to fit your setup, so it’s just a matter of having a quick overview of what’s possible, changing it, and forgetting about it.

Editing the settings

The settings are accessible by pressing Setup button (yellow).
Use knob (press to confirm) to select, change, and save a setting value.

Settings navigation: press Setup to enter settings, turn the knob to select a setting, press to edit its value, then turn to change it

Step

Knob turn

Display example

Tempo selection

Changes the tempo

120

List of basic settings

Changes the selected setting

Uo.1 (Click 1 volume)

List of advanced settings

Changes the selected setting

PEd (pedal function)

List of values for this setting

Changes the value of this setting

OFF (off)

The color of the setup button Setup button (yellow) will change according to the step: Setup button (yellow) Setup button (pink) Setup button (purple)

All settings are saved and applied automatically. They are also preserved when the firmware is updated.

Reading letters and abbreviations on the display

Understanding what the display is telling you can be a bit tricky if you are not used to it. This is the alphabet used by the Nome:

Seven-segment letter shapes: A, b, C/c, d, E, F, G, H, I/i, L, M, n, O/o, P, r, S, t, U/u, V/v and y

Note that the dot is used for separation, for example: A.PL (Auto-Play) reads Auto-Play.

The 3-letter abbreviations used are trying to be as clear and as consistent as possible.

Here is a list of all setting names abbreviations and their meaning:

Overview of basic and advanced setting abbreviations; names, meanings and values are listed in the settings tables below

And here are some of the other abbreviations used (as setting values, among others):

  • Mi.1 (MIDI output 1) & Mi.2 (MIDI output 2): MIDI Output 1 and 2 (on the back of the device)

  • bot (both MIDI outputs): both MIDI Outputs (1 and 2)

  • PLA (play/stop function): Playing function, i.e. the ability of doing start/stop

  • con (constant): constant, i.e. something that is permanently on

  • FOL (Follow Play): follows Play, i.e. something that is only on after a Play button is pressed

  • Fo.M (Follow Mute): follows Mute, i.e. something that is on when the metronome is unmuted

  • din (DIN Sync / Sync24 mode): DIN Sync mode (also called sync24)

  • SYn (resync): resyncing, typically sent on the device’s MIDI and ANLG outputs

Considerations on how to configure your Nome

There are quite a lot of settings, but most of them are very simple. Just have a quick look at the list so you know what is possible, and you can forget about the settings that do not concern you.

Most users report they went to the settings once, to customize their Nome to their liking, then never went back in again.

To make it less overwhelming, they are separated in two lists, the advanced settings being less likely to be changed regularly.

Note that whenever the device has to choose between MIDI Output 1 and 2 to trigger an action, MIDI Output 1 is chosen. In other words,

For example:

  • When the TAP LED, the Mute function, or the ANLG outputs “follow play”, they will follow whether MIDI Output 1 is playing or not

  • When configured in DIN Sync mode, the ANLG output follows MIDI Output 1

  • When the first play button is configured to act on both outputs, it will light up according to MIDI Output 1

On the other hand, when it’s explicit, the Nome chooses the appropriate output.

For example:

  • any configuration on the ANLG ring/right An.2 (analog output 2 configuration) will follow MIDI Output 2

(while An.1 (analog output 1 configuration) will follow output 1)

  • The second play button will always act on MIDI Output 2

  • Two pedals configured as PLA (play/stop function) will each act on their own output

The list of basic settings

Setting

Meaning

Values

CL.1 (Click 1 sound)

Sound for Click 1

(downbeat)

OFF (off) - sound is off/muted

1 to 59 - sound selection for the metronome click
(clicks 1-9 are recorded, while 10+ are digitaly generated)

U.1 (user click sound 1) to U.4 (user click sound 4) custom user sounds
(can be uploaded using the Sim’n Tonic Config Tool )

CL.2 (Click 2 sound)

Sound for Click 2

(other beats)

Uo.1 (Click 1 volume)

Volume of Click 1 (1)

1 to 9 Volume of the metronome click (in 6dB steps)

Uo.2 (Click 2 volume)

Volume of Click 2 (1)

SIG (time signature)

Time signature

Bar signature from 1/2 to 32/16 (16 shown as ö). For example:

4.2 (time signature 4/2) for 4/2

4.4 (time signature 4/4) for 4/4 (default)

8.8 (time signature 8/8) for 8/8

16.o (time signature 16/16) for 16/16

(to change the denominator quickly, hold down the knob and turn)

inP (INPUT plug mode)

INPUT Plug Mode

OFF (off) Input plug is deactivated

PEd (pedal function) Pedal mode (default)

PAd (drum pad input) Drum Pad/Trigger mode (2) as “Tap Tempo”

1P (1 pulses per quarter note) to 24P (24 pulses per quarter note) external sync to audio/analog pulses running at speed 1 to 24 ppq (pulses per quarternote) (2) (3)

A.PL (Auto-Play)

Auto-play Mode

OFF (off) The auto-play function is off (default)

bot (both MIDI outputs) Both outputs 1 & 2 will play automatically when syncing starts - see external sync

Mi.1 (MIDI output 1) Only MIDI Output 1 plays automatically

Mi.2 (MIDI output 2) Only MIDI Output 2 plays automatically

(the two ANLG outputs always follow their respective MIDI output, so these will also play if AnL (analog clock mode) is set to FOL (Follow Play) )

AnL (analog clock mode)

Analog Clock Mode

con (constant) Clock is sent constantly (default)

FOL (Follow Play) Clock is following play

din (DIN Sync / Sync24 mode) DIN sync / sync24 output mode (for vintage Roland drum machines like the TR-303)

An.1 (analog output 1 configuration)

Analog Clock 1 Speed

(left/tip part of the ANLG TRS plug)

OFF (off) Output is off, always at 0V

'1 (rate value; meaning depends on the selected setting) to '24 (rate value; meaning depends on the selected setting) Clock sent at 1 to 24 ppq (pulses per quarter)

run (run gate) Run gate signal, 5V = playing, 0V = stopped (3)

StA (start/stop trigger) Pulse/trigger sent when starting/stopping (3)

rES (reset/resync) Pulse/trigger sent when starting/resyncing (3)

2 to 99 Pulse sent every 2 to 99 quarter notes

An.2 (analog output 2 configuration)

Analog Clock 2 Speed

(right/ring part of the ANLG TRS plug)

Cnt (count-off mode)

Count-off Mode

OFF (off) The count-off function is disabled (default)

bot (both MIDI outputs) Tapping the tempo will start a count-off when both MIDI/ANLG outputs 1 & 2 are stopped

Mi.1 (MIDI output 1) Tapping the tempo will start a count-off when MIDI/ANLG output 1 is stopped

Mi.2 (MIDI output 2) Tapping the tempo will start a count-off when MIDI/ANLG output 2 is stopped

Mut (metronome mute) Tapping the tempo will start a count-off when the metronome is muted

LEd (TAP LED mode)

TAP LED brightness

OFF (off) TAP LED blinking is turned off

con (constant) TAP LED is on constantly (default)

FOL (Follow Play) “Follow” - TAP LED is on when MIDI Output 1 is playing

Fo.M (Follow Mute) “Follow Mute” - TAP LED is on when the metronome is unmuted

bri (brightness)

Display Brightness

100 to 800 Brightness of the display and all LEDs

Adv (advanced settings)

Advanced settings

Opens the list of advanced settings

(1) When out of the settings, adjust both volumes quickly by holding down the Setup button and turning the Knob.

(2) when selecting PAd (drum pad input) , FOL (Follow Play) , or 1P (1 pulses per quarter note) to 120 , the tempo LED will stop blinking and react to taps on the pad, or to input audio/analog pulses. This way you can check the volume/strength of the input.

(3) Here is a diagram to better understand those 3 options:

ANLG timing: run is high while playing and briefly low on resync; StA pulses on start/stop; rES pulses on start/resync. MIDI messages shown below.

The list of advanced settings

Setting

Meaning

Values

PEd (pedal function)

Pedal Function (5)

Mut (metronome mute) Mute/unmute metronome (default)

PLA (play/stop function) Play/Stop (1)

tAP (tap tempo) Tap Tempo (6)

PrE (tempo presets) Apply next/previous preset (2)

(changing this will automatically set inP (INPUT plug mode) to PEd (pedal function) )

PE.2 (pedal 2 function)

Pedal 2 Function (3) (5)

OFF (off) Pedal 2 is disabled (default)

Mut (metronome mute) Mute/unmute metronome

PLA (play/stop function) Play/Stop (1)

PrE (tempo presets) Apply next/previous preset (2)

PE.t (pedal type)

Pedal Type

SuS (sustain pedal) Sustain - use momentary pedals like piano sustain pedals (default)

LAt (latching pedal) Latching - use latching pedals like guitar amp footswitches (7)

Mut (metronome mute)

Mute Function

nor (normal) normal behavior, no following (default)

FOL (Follow Play) Follow Play - Pressing Play 1 button will mute and unmute the metronome

F.O.L (Follow Play with count-in) Same as Follow Play - but unmutes as soon as Play 1 button is blinking

(great to use when rES (reset/resync) is set to Cnt (count-off mode) )

rES (reset/resync)

Reset Mode

OFF (off) Play is sent on the next bar (default)

On (on) Play is sent right away and the audio metronome is reset/rewound

Cnt (count-off mode) Reset/rewind the metronome but also wait 1 bar of count-in before sending play

(great to use when Mut (metronome mute) is set to F.O.L (Follow Play with count-in) )

PL.1 (Play button 1 function)

Play button 1 Output

bot (both MIDI outputs) both - button affects MIDI Output 1 and 2

Mi.1 (MIDI output 1) MIDI 1 - button affects MIDI Output 1 only (default)

PL.2 (Play button 2 function)

Play button 2 Function

Mut (metronome mute) Mute/unmute metronome

PLA (play/stop function) Play/Stop (4) on MIDI Output 2 (default)

Mid (MIDI clock setup)

MIDI Clock Setup

OFF (off) MIDI Clock is always off, never sent

con (constant) constant - MIDI Clock never stops (default)

FOL (Follow Play) Follow Play - MIDI Clock is only sent on an output when it is playing

(when an output is not sending MIDI Clock, the MIDI Start, Stop and SPP messages will not be sent either)

Mi.2 (MIDI output 2)

MIDI Output 2 Speed

MIDI Clock speed divider on MIDI Output 2

From '1 (rate value; meaning depends on the selected setting) = 1/1 (clock running at full speed - default)

To '8 (rate value; meaning depends on the selected setting) = 1/8 (clock running at 1/8th of the speed)

PrE (tempo presets)

Presets Configuration

See the Tempo Presets section

(1) Pedal 1 configured as PLA (play/stop function) act like the play buttons: short press does start/stop, while a long press does resync. Using one pedal only will affect the MIDI output controlled by the play button 1 (i.e. PL.1 (Play button 1 function) setting). Using two pedals will each control one MIDI output.

(2) Short press applies the next preset, long press applies the previous preset.
Or use both pedals, in this case pedal 1 = previous preset and pedal 2 = next preset.

(3) Pedal 2 is the Ring/Right part of the INPUT plug, it can be used in conjunction with any of the inP (INPUT plug mode) settings. When configured as a single PLA (play/stop function) pedal, long press is disabled, so that you can start your machines more precisely on the press (and not release).

(4) When using this option, you can still mute/unmute with a pedal, MIDI Commands, or by changing the Mut (metronome mute) setting to FOL (Follow Play) .

(5) The two pedals’ polarity is automatically detected when leaving the settings and when the device restarts. Make sure not to press the pedal at that time.

(6) When count-off is enabled, a double-tap will stop the sequencers / unmute the metronome (depending on the count-off setting).

(7) Latching pedals cannot do a “long-press”, so using such a pedal will not give the possibility to load the previous preset or to resync (for example).

Extra metronome settings

The Nome’s metronome has extra settings that can only be configured using the Sim’n Tonic Config Tool.

These settings are saved on the device just like the others, but are not accessible from the device itself.

Config Tool View

Setting

Values

Config Tool: eighth-note click sound CL.3 can use the CL.2 sound or user click U.3

Metronome Sound for Click 3 (8th notes)

Click sound for 8th notes on the metronome, set to:

  • Same click sound as CL.2 (Click 2 sound) (default)

  • Or custom click U.3 (user click sound 3)

Config Tool: sixteenth-note click sound CL.4 can use the CL.2 sound or user click U.4

Metronome Sound for Click 4 (16th notes)

Click sound for 16th notes on the metronome, set to:

  • Same click sound as CL.2 (Click 2 sound) (default)

  • Or custom click U.4 (user click sound 4)

Config Tool: eighth-note click volume Vo.3 shown as Vo.2 minus 12 dB

Volume of Click 3 (8th notes)

Volume of the click 3, set to either:

  • Uo.2 (Click 2 volume) volume minus 12dB (default)

  • or a set volume from 1 to 9 in 6dB steps

Config Tool: sixteenth-note click volume Vo.4 shown as Vo.2 minus 18 dB

Volume of Click 4 (16th notes)

Volume of the click 4, set to either:

  • Uo.2 (Click 2 volume) volume minus 18dB (default)

  • or a set volume from 1 to 9 in 6dB steps

You can also use the same Sim’n Tonic Config Tool to upload custom user click sounds for the metronome (i.e. U.1 (user click sound 1), U.2 (user click sound 2), U.3 (user click sound 3), and U.4 (user click sound 4) ).

Tempo presets

You can save tempo presets directly on the device. There are 50 presets, each preset containing both the tempo and the time signature.

Saving and managing tempo presets

To save and delete presets, find the PrE (tempo presets) entry in the advanced settings list:

Setup button (yellow) → Adv (advanced settings) → PrE (tempo presets)

You will be presented with a list from 1 to X, with X the first available preset (X-1 being the last saved preset).

That preset X will be written as E.xx (E for empty), for example E.02 (editing preset 02) if you have one preset saved already (X=2).

  • To save the current tempo and time signature as a preset, select the preset you want to save and hold down knob (press to confirm)

    • The display will show SAv (save preset) (SAved) when the preset is saved

  • You can only delete the last preset that was saved (the one just before E.xx).

    • To delete it, select it and then hold down both TAP tempo button and knob (press to confirm)

    • The display will show dEL (delete preset) (dELeted) when the preset is deleted

To exit the list, either press knob (press to confirm) to go back to the (advanced) settings list, or press Setup button (yellow) to exit the settings and go back to the main display showing the tempo.

Applying tempo presets

The last applied preset is always saved in the device.

To see which preset is currently applied, make sure you exit the settings, then hold TAP tempo button and rotate turn the knob once. The display will show P.xx, for example P.02 (preset 02), until you release the TAP button.

No new preset is applied at this point, but if you keep rotating the knob, the next or previous preset will be applied (and the display will also show you).

When one of the play buttons Play 1 button or Play 2 / Mute button is lighting yellow (i.e. a sequencer is playing), the preset will only be applied at the end of the bar. The main tempo display will have blinking dots to indicate that a preset is pending.

When the tempo is in locked mode, the preset will only be loaded by not applied until knob (press to confirm) is pressed down.

Note that you can also apply presets using pedals or using MIDI commands.

USB communication & commands

The Nome is USB-MIDI Class compliant. It will add 6 MIDI interfaces on your computer.

3 INs:

  • Nome II Clock [IN] - sends MIDI Clock to your DAW

  • Nome II DAW Control [IN] - sends MIDI commands to control your DAW

  • Nome II Module Itf [IN] - forwarded MIDI from the Module interface

And 3 OUTs:

  • Nome II Commands [OUT] - receives MIDI commands for the Nome

  • Nome II MIDI Out 1 [OUT] - forwards any MIDI to the “MIDI OUT 1” Jack

  • Nome II MIDI Out 2 [OUT] - forwards any MIDI to the “MIDI OUT 2” Jack

Note that on Windows the interfaces might be called differently, usually simply “Nome II”, then “MIDIIN2 (Nome II)”, “MIDIIN3 (Nome II)”, and the same for outputs (“MIDIOUT2”, etc). They should be in the same order as written above.

Important: if you recently upgraded the firmware, and cannot see all the interfaces, then you need to delete the Nome Setup registered in your computer, then unplug-replug your Nome. You can do this in the “Audio MIDI Setup” on macOS and in the “Device Manager” on Windows.

The Clock interface

The first MIDI IN interface, “Clock”, sends the MIDI Clock as well Start and Stop messages.

Use it with software or hardware that can follow MIDI Clock, for example it can be a way to get your DAW to follow the Nome.

Do not use this if you are using U-SYNC.

The DAW Control

The second MIDI IN interface, “DAW Control”, is used to send special MIDI messages which you can map on your DAW to do specific actions. This is used together with U-SYNC to control the DAW (only available on certain DAWs - see the U-SYNC documentation)

The module interface

This will be used in the future, for when you connect a physical add-on module to your Nome. For example a MIDI IN module could forward data from its MIDI IN jacks to these interfaces.

MIDI Forwarding interfaces Out 1&2

Send MIDI data to “MIDI Out 1“ or “MIDI Out 2”, and that data will be forwarded to the corresponding DIN-MIDI port on the back of the device.

The MIDI data is merged with the MIDI generated by the Nome so that:

  • The clock has the highest priority and is 100% unaffected by other data

  • Start & Stop messages also have high priority and will be sent on time

MIDI System Common messages and MIDI System Realtime messages (which all start with 0xFn) are not forwarded, except Song Select message (0xF3).

All other MIDI messages, including Note On/Off, Aftertouch, CC, PC, Channel Pressure, and Pitch Bend are all forwarded.

System Exclusive (SysEx) messages are forwarded, but limited to 500 bytes. They have lower priority than realtime messages and could be interrupted and resent later if a higher priority message needs to be sent (for example Start).

MIDI Commands

You can send MIDI messages to the USB-MIDI “Commands” interface in order to control or change settings on your Nome.

Important: where a MIDI channel applies, use Channel 12, no other channel will work.

Message

Value

Result

Tempo & decimals

CC 85 & CC 86

CC 85: 0-3
CC 86: 0-127

BPM set to (128 × CC85) + CC86 (1)

CC 87

0-127

BPM set to 60-187

CC 88

0-127

BPM set to 100-227

CC 89

0-127

BPM set to 140-267

CC 110

0-99

Set tempo decimals, i.e. set BPM to x.00-x.99 (2)

Time signature

CC 90

1-32

Set the time signature numerator from 1/x to 32/x

CC 90

101 / 102 / 103 / 104

Set the denominator to x/2, x/4, x/8, or x/16, respectively (3)

Metronome

CC 102

0

Mute the metronome

CC 102

1

Unmute the metronome

CC 102

2

Toggle mute (unmute if muted and mute if unmuted)

ANLG clock speed

CC 104

0-109

Set ANLG clock 1 speed (4)

CC 105

0-109

Set ANLG clock 2 speed (4)

Tempo presets

Program Change (PC)

0-49

Apply a preset (5)

Song Select

0-49

Apply a preset (5)

CC 106

1-50

Apply a preset (5)

CC 107

1-50

Apply a preset right away (5)

Start/stop sequencers (8)

MIDI Continue

(Re)start machines on MIDI Port X (6) on the next bar

MIDI Start

Reset/rewind the clock (7) and start machines on MIDI Port X (6)

MIDI Stop

Stop machines connected to MIDI Port X (6)

CC 103

0 / 1 / 2

Same as MIDI Continue / Port 1 only / Port 2 only

CC 103

10 / 11 / 12

Same as MIDI Stop / Port 1 only / Port 2 only

CC 103

20 / 21

Same as MIDI Start / Port 1 only (7)

CC 103

30 / 31

Same as MIDI Start with a 1-bar count-in / Port 1 only (7)

(1) Send CC 85 first, then CC 86. Examples:

  • CC 85 value 1 followed by CC 86 value 42, sets the tempo to 170.

  • Later, sending only CC 86 value 117 (and no CC 85) sets the tempo to 245 (=128+117).

(2) CC 110 changes only the decimal part of the BPM; for example, if currently at 134.53, CC 110 value 27 sets the tempo to 134.27.
Note: CC 86, 87, 88, and 89 all reset the decimals to zero (i.e. set to x.00).

(3) For example, CC 90 value 6 followed by CC 90 value 103 sets a time signature of 6/8.

(4) CC 104 and 105 correspond to the An.1 (analog output 1 configuration) and An.2 (analog output 2 configuration) settings:

  • 0 = OFF (off)

  • 1-8 = “X ppqn”, from '1 (rate value; meaning depends on the selected setting) to '24 (rate value; meaning depends on the selected setting)

  • 9-11 = run (run gate), StA (start/stop trigger), and rES (reset/resync), respectively

  • 12-109 = “X beats”, from 2 to 99

See the list of basic settings for more details.

(5) MIDI CC 106 and Program Change wait if the Play button is lit or the device is in Locked Mode, as when applying a preset on the device or with a pedal. CC 107 bypasses this and applies the preset right away.

On devices/software, CC values usually start from 0, while Program Change and Song Select start from 1. Whichever message you use, the number shown on your device should match the preset number.

(6) Port X is the MIDI output port selected by the PL.1 (Play button 1 function) setting (both or output 1 only).

(7) This is independent of the rES setting. But no resets or count-in are possible when syncing to an external clock (24P mode or U-SYNC, for example).

(8) Start/stop commands act regardless of the current playing state and device configuration, including the PL.1 (Play button 1 function) and the rES (reset/resync) settings. This means MIDI Stop can stop a sequencer started manually, and MIDI Continue can send a resync (the equivalent of holding down the Play button).

To avoid conflicts with DAW transport messages, MIDI Start/Continue/Stop are disabled when the device is both connected to a U-SYNC plugin and using auto-play. MIDI CC commands, including CC 103, are always enabled.

Sync to other devices & DAWs

The Nome has been designed to be used as a Master Clock, and if you can you should always let it be the master. But there might be some situations where this is not possible, this section is about how to get your Nome to follow another device.

Sync to an analog clock or an audio signal

Setting the Setup button (yellow) → inP (INPUT plug mode) setting to one of the 1P to 24P values will get your Nome to follow an analog or audio signal sent to the “INPUT” jack of the device.

The analog sync signal can be any loud short sounds or analog pulses sent at X ppq (parts per quarternote). This could be for example a recorded sound sent regularly or a 5V analog clock like the ones sent by modular or vintage synths. The available signal speeds X (in ppq) are the following:

1P (1 pulses per quarter note)     2P (2 pulses per quarter note)     3P (3 pulses per quarter note)     4P (4 pulses per quarter note)     6P (6 pulses per quarter note)     8P (8 pulses per quarter note)     12P (12 pulses per quarter note)     24P (24 pulses per quarter note)

Make sure the pulses are sharp and short, otherwise one pulse could be counted as two.

This is a great way to get the Nome to follow a machine without MIDI, for example a tape machine, a hardware recorder, a DJ turntable, an SPD Drum pad, a piece of software, etc.

Important: the Nome cannot sync to any audio, usually called “Beat Detection” or “Tempo Following” (for example sync to a song or live audio). The Nome will only sync to regular pulses.

Syncing to your DAW with U-SYNC (Mac)

Sync your Nome and your DAW with our innovative U-SYNC technology. All you need to do is download U-SYNC, install it, and load the U-SYNC plugin on your DAW.

See also the U-SYNC Manual and the U-SYNC Quick Start Guide

Note: for now, U-SYNC is only available on Mac. On Windows you will have to use the 24P mode and the old plugin.

Syncing to your DAW using the 24P mode (Windows)

If you are on Windows, or if your DAW does not work with U-SYNC, you can sync using the “Midronome” plugin. This plugin sends analog (audio) pulses at 24ppq, so that the Nome can sync to it like it would to an analog clock for example. It works with both generations, Nome I and Nome II (despite its name).

Note: this “Midronome” plugin is open-source. Feel free to report or even correct any bugs on its github page. You can download the VST/AU/AAX files on the github page.

Once you have the plugin installed:

  • Load the plugin on a track in your DAW

  • Then configure your DAW and your audio interface so that this track is routed to a dedicated (physical) output on your audio interface

  • Make sure that only this track is sent on that output

  • Make sure the volume of that output is loud is loud

  • Connect a cable from this output to the Nome’s “INPUT” plug

  • Enable the 24P mode on the Nome

Then press play in your DAW, the Nome’s “SYNC” LED should turn on and it should follow your DAW’s timing.

For more information about how to set up the old plugin, see the old PDF for FW 2.0 called “How to sync with DAWs”, also on the github page.

Syncing your DAW to the Nome using MIDI over USB

U-SYNC and the 24P mode will get the Nome to follow your DAW (i.e. the DAW is the master), but you might prefer it the other way around, getting your DAW to follow the Nome (i.e. the Nome is the master).

The Nome sends MIDI Clock over USB, which you can use to sync your DAW to it. Please refer to your DAW’s documentation regarding how to do this. For example, the “Syncing Live to another device or application” section in the official Ableton documentation describes how to set it up for Ableton.

Most DAWs have a setting to adjust the synchronisation delay, see your DAW’s documentation regarding this as well. As of today, only Ableton, Bitwig, FL Studio, and Reason can do this

Automatically start and stop sequencers

The Setup button (yellow) → A.PL (Auto-Play) setting makes the device automatically “press” a play button when the sync starts and stops. Set this setting and the Nome will automatically send Start/Stop on its physical MIDI Outputs ports when the sync starts and stops, whether it’s syncing to a DAW or to an analog/audio signal (sync to 1-24ppq, i.e. 1P - 24P settings).

You can choose which of your machines should start automatically:

  • bot (both MIDI outputs) machines connected to both MIDI Output 1 and 2

  • Mi.1 (MIDI output 1) machines connected to MIDI Output 1 only

  • Mi.2 (MIDI output 2) machines connected to MIDI Output 2 only

As with everything else, the Analog Outputs 1 (left part of the ANLG plug) and 2 (right part) follow the respective MIDI outputs, so they will also be affected by this setting.

Note that:

  • when syncing multiple Nomes together, this setting also affects the follower Nomes react to pressing play on the master Nome.

  • when the count-off setting Setup button (yellow) → Cnt (count-off mode) is set to Mut (metronome mute) (start count-off when Muted), the autoplay setting determines which MIDI/ANLG output starts after the count-off.

Extra functionalities

Syncing multiple Nomes together

To get more outputs you can sync multiple Nomes together. This sync is one-way only: one Nome will be the master and all the others will follow. The tempo and time signature numerator can only be changed on the master, while the time signature denominator can be set individually on each follower Nome.

There is no real limit regarding how many Nomes you can sync (in fact, we tested it with 36!), and this works with any combination of Nome I and Nome II devices.

To set it up, do the following:

  • On the master Nome:

  • Select the Setup button (yellow) → CL.1 (Click 1 sound) setting, and set it to 59

  • Press knob (press to confirm) for 1 second

  • The value will change from 59 to SYn (resync)

  • On every follower Nome:

  • Select the Setup button (yellow) → inP (INPUT plug mode) setting, and set it to 24P (24 pulses per quarter note)

  • Press knob (press to confirm) for 1 second

  • The value will change from 24P (24 pulses per quarter note) to SYn (resync)

Now connect a 6.35mm jack cable from the AUDIO plug of the master Nome to the INPUT plug of every follower Nome (use Y splitter cables if syncing more than 2 Nomes).

For best results, set the audio output switch AUDIO mode switch: headphones or balanced line output to line out ( balanced line output position ) on the master Nome.

To get a follower Nome to play automatically when the master Nome is also playing, see the section above about the Setup button (yellow) → A.PL (Auto-Play) setting.

Tempo decimals

You can set the tempo down to the 100th decimal on the Nome, i.e. from x.00 to x.99.

The decimals are also:

  • automatically set when tapping a tempo

  • saved in the tempo presets

  • supported by U-SYNC 1.4 and newer

  • modifiable using MIDI CC Commands

On the device, press knob (press to confirm) once to open the tempo decimal page. The display will then show a dot and the decimal part of the BPM “.xx”. For example if the current BPM shown is 108, and pressing knob (press to confirm) shows .74, that means the actual tempo is 108.74 bpm.

Note that:

  • You can instead hold down and turn turn the knob (while pressing) for a quick adjustment

  • Changing to a new BPM integer number will

    • Reset the decimals when turning fast (for ex. 120.46 → 125.00)

    • Keep the decimals when turning slow (for ex. 120.46 → 121.46)

Count-in and count-off

Nome supports both a count-in, where the device counts down for you, and a count-off, where you count down by tapping and the device starts at the end of your count.

Count-in: count done by the Nome

Count-in is when you press the play button and the machine will count one bar for you until it starts.

  • To activate this, you can set the Setup button (yellow) → Adv (advanced settings) → rES (reset/resync) setting to Cnt (count-off mode)

  • Then set the Setup button (yellow) → Adv (advanced settings) → Mut (metronome mute) setting to F.O.L (Follow Play with count-in) as well, so that the metronome is automatically unmuted

  • (both of these are advanced settings)

  • Then pressing the Play button will start the count-in right away, you will hear one bar of metronome and your machines will start on the next bar

Count-off: count done by the musician

Count-off is almost the same, except that you tap the bar of count-in yourself. This is a great way to set both the start point and the tempo, either at the beginning of a song or to catch a live tempo already running, as described in the section below.

  • To enable it, choose a value for the Setup button (yellow) → Cnt (count-off mode) setting

    • This setting determines when tapping will start a count or adjust the tempo

    • For example setting it to Mi.1 (MIDI output 1) (MIDI Out 1) means:

      • tapping while the MIDI output 1 is stopped starts count-off

      • tapping while the output is playing will adjust the tempo

  • Then set the time signature, and tap exactly one bar, for example 1, 2, 3, 4

  • On the next bar, the machine takes over and starts everything

    • What MIDI/ANLG output is starts is what the Setup button (yellow) → Cnt (count-off mode) setting is set to

    • When it is set to Mut (metronome mute), the metronome is unmuted and the output that starts is the one indicated by the autoplay setting Setup button (yellow) → A.PL (Auto-Play)

      • Note that the metronome is unmuted after the first beat, to avoid a “click flam” if a musician is slightly off-beat

  • After this, tapping will adjust the tempo, matching the music to the tapping

  • A double-tap on a pedal or a drum pad stops (and/or mutes)

    • It does the exact opposite of what was done after the count-off

Catch up live timing with Smart Tap Tempo

You can “catch” a live tempo already running, which is great if you are playing with live musicians without a metronome, or with a machine that cannot send a 1-24ppq signal to sync to.

Before trying to catch a tempo, it’s a great idea to set the start timing of the Nome right - you can do this by counting off.

Then, once started, simply tap, as the Smart Tap Tempo algorithm will set not only the tempo but also match the timing to your tapping. It might take a few beats to catch up, simply keep tapping until the music aligns.

Note that the SYNC LED (yellow) LED will show you how precise your taps are by changing its color:

  • Perfect Green means your taps are in time with the Nome’s internal timing

  • Perfect Red means your taps are at least 50% off

  • Anywhere in between will give you a mix of the two colors (green -> yellow -> red)

The Nome will try to keep the tempo stable as much as possible, while at the same time be ready to change the tempo if your tapping changes. To achieve this, it detects if your taps are regular or not:

  • When they are, they will be heavily averaged, so just keep tapping, the more you tap the more stable it will be

  • When not, it will “reset” the average so that the tempo can quickly change and follow your tapping

Pro Tip: If you want to temporarily disable the averaging, hold down the Setup button while you are tapping, this will let you make much quicker tempo changes.

Note: on any beta firmware, there is an extra feature for you to check what the algorithm is doing under the hood: Setup button (yellow) will light up red every time the Nome “resets” the average tapped tempo. Feel free to use this so you know when it happens.

This feature is not present in “normal” (non-beta) firmwares.

Match external gear’s timing with Time Nudging

The smart tap tempo mentioned above is great with a source with a variable or unknown tempo, like Live musicians for example.

But if you are trying to sync to a machine with a precise BPM, for example a DJ turntable, it is better to:

  1. Set the same BPM (down to the 100th decimal) on the Nome

  2. Use Time Nudging to match the timing

To nudge the timing, hold down Setup button (yellow) and either Play 1 button or Play 2 / Mute button . The left button will nudge backwards, the right button will nudge forward.

This will “move” the timing of the Nome without changing its tempo. The longer you hold the buttons (you can let go of the Setup button), the faster the nudge will be.

The two buttons Play 1 button and Play 2 / Mute button will change from green to red to indicate how fast the nudge is going.

Turn off the Nome

To turn your Nome off, simply hold down Setup button (yellow) for 2 seconds. The display will then show “OFF in 3 2 1” and then turn off.

To turn it back on, press any of those buttons: TAP tempo button, Play 1 button or Play 2 / Mute button .

Update the Nome Firmware

Why update

New firmware versions are regularly released, and for now they are all free.

If you have never updated, then you are probably missing out on a whole lot of new features and bug fixes, and the settings shown in this manual probably do not match the ones on your device.

Feel free to have a look at the Nome Firmware Changelog for more details.

How to update

Firmware Update Tool showing an available update, with Upgrade and See Changelog buttons (example versions)

To update your Nome:

How to load a custom, beta, or alpha firmware

The tool updates your Nome to the most recent firmware by default.

Firmware Update Tool menu: Load offline firmware

If you want to load a different firmware:

  1. Download a specific *.fw firmware file (do not rename the file)

  2. Launch the tool

  3. Right click “Check for updates…” and load the chosen *.fw file

You can go back at any time to the newest firmware by left clicking “Check for updates…” again.

Offline firmware downgrade confirmation, warning that downgrading might affect device settings (example versions)

Important: switching to any firmware will not damage your device in any way, and it will be fully functional.

But downgrading might mess up your device settings (depending on which version). Upgrading back to the same version after a downgrade might also mess up your device settings.

(upgrading to a newer version after that will preserve the settings as normal)

In all those cases, make sure to remember what your settings were so you can set them back.

Troubleshooting

There is no way to “brick” the device (make it unusable), so feel free to unplug and restart the update if there is any issue. The update process should take no more than 15 to 20 seconds.

If your device is not detected, please check the USB cable and check in your OS if the device is recognized (Device Manager on Windows, Audio MIDI Setup on Mac). Please try disconnecting and reconnecting the device as well.

If none of this helps, you can force the “update mode” of the device by doing as follows:

  • Unplug the USB cable

  • Hold the TAP and the two play buttons down

  • Replug the USB cable while holding the 3 buttons

  • Wait 4 seconds (the screen will stay blank during that time)

After those 4 seconds, the device will start in update mode:

  • it will show “rdY” if it is connected successfully

(if not, check your USB connection/cable and check your OS)

Now, try running the update from the software tool again.

Nome II Quick Start: all setup answers

This is the complete setup reference for the Official Nome II Manual. All answers are available without completing a questionnaire or running JavaScript. Choose the sections that match your equipment; alternative synchronization methods are not instructions to enable every method at once.

These instructions cover firmware 5.5 and U-SYNC 1.4.1. Set up Nome II as the clock source for your instruments first, then add DAW or external synchronization if needed. The answer text below is shared with the personalized guide.

Setup instructions

For every setup: install the current firmware before configuring synchronization.

Update your firmware

Start by updating your firmware: download the Firmware Update Tool, and press “Check for updates…”.

Sync your MIDI gear

For synths or keyboards without a sequencer or arpeggiator: no clock is needed for notes played live.

Synths and keyboards without any sequencing or arpeggiating abilities are simply played live and do not require any clock.

But since you use a DAW, you can use the Nome as a usual USB-MIDI interface to send MIDI notes and other data from your DAW. Simply connect a MIDI cable from OUT 1 (MIDI output 1) or OUT 2 (MIDI output 2) on the Nome to your synth’s MIDI input. In your DAW, send MIDI to the USB-MIDI interface called “MIDI Out 1” or “MIDI Out 2”.

For clock-capable sequencers, drum machines, arpeggiators, loopers and MIDI effects:

Syncing MIDI gear to the Nome is very straightforward.

Sequencers and drum machines will sync to the Nome’s tempo but can also be started and stopped by the Nome using MIDI Start/Stop messages.

Arpeggiators, on the other hand, will follow the Nome’s tempo but will start their pattern when you play a note.

Most loopers can in theory follow the Nome’s tempo, they can also be started and stopped by the Nome using MIDI Start/Stop messages. But in reality, most of them struggle to do so: this is unrelated to the Nome and happens whenever the looper is following another device. If yours is one of those, you have two options:

  1. Make the Nome follow the looper instead: use an auxiliary dedicated output on your looper to send regular sharp sounds to the Nome. See Sync to an analog clock or an audio signal for more info.

  2. Sync to the looper “manually”: start it on time with the count-off feature, then use the Smart Tap Tempo and time nudging to keep it on time with the Nome.

Most effects pedals with a MIDI input will be able to follow the Nome’s tempo for time-based effects like delays and modulation.

To get your MIDI gear in sync with the Nome:

  1. Search for “sync” or “clock” in your gear’s manual to find the right settings.

  2. Use this to make sure they are set to follow an external MIDI clock, as well as Start/Stop if supported.

  3. Connect a MIDI cable from the Nome’s OUT 1 (MIDI output 1) or OUT 2 (MIDI output 2) to your gear’s MIDI input. Use a DIN-MIDI cable or a TRS-MIDI cable depending on your gear’s input.

  4. Press Play 1 button and change the tempo with turn the knob on the Nome to check it works.

For modular and Eurorack equipment with compatible analog clock inputs:

Sync your modular synths

The Nome has two 5V analog clock outputs on its 3.5mm stereo ANLG (analog clock / DIN Sync output) port (left and right channels, use a breakout cable to separate them). Each output can send clock pulses (1-24ppq), a pulse on start/stop, or a run gate signal.

Configure the ANLG (analog clock / DIN Sync output) port using the An.1 (analog output 1 configuration) (left channel) and An.2 (analog output 2 configuration) (right channel) settings. Then connect a 3.5mm jack between the Nome’s ANLG (analog clock / DIN Sync output) port and your modular synth’s clock input, and check that it follows the Nome.

Sync your vintage synths

For DIN Sync equipment, such as the original Roland TB-303, TR-606, TR-808, MC-202 and CR-8000:

The Nome can sync your vintage machines by sending a DIN Sync signal to them:

  • Configure the Nome by setting AnL (analog clock mode) to din (DIN Sync / Sync24 mode).

  • Connect the ANLG (analog clock / DIN Sync output) port on the Nome to the “sync in” DIN port on your vintage machine, using a special DIN Sync adapter cable. Do not use a usual TRS MIDI cable for this, as DIN Sync is not compatible with MIDI.

  • Then press Play 1 button on the Nome and check that your machine starts at the Nome’s tempo.

For vintage instruments with analog clock inputs, such as the SH-101 or Juno-60: check the instrument manual for the required clock rate.

Most of the other vintage gear can synchronize their internal arpeggiator or sequencer to the ANLG (analog clock / DIN Sync output) clock output of the Nome.

To do so, configure the ANLG (analog clock / DIN Sync output) port using the An.1 (analog output 1 configuration) (left channel) and An.2 (analog output 2 configuration) (right channel) settings. Then connect a 3.5mm jack between the Nome’s ANLG (analog clock / DIN Sync output) port and your vintage synth’s clock input, and check that it follows the Nome.

The Nome only has one ANLG (analog clock / DIN Sync output) port, despite being made of two channels (one DIN Sync connection uses both channels). If you need more, you can:

  • Use a splitter cable to connect multiple devices to the same Nome output.

  • Use multiple Nomes - they can be synced precisely together

Time to add the DAW

Before getting into this, make sure your machines are following the Nome (sections above). The DAW will sync the Nome, which will sync your machines.

For macOS and a supported DAW: the questionnaire lists Ableton Live, Bitwig Studio, Logic Pro, Pro Tools, FL Studio, Cubase/Nuendo, Fender Studio Pro, Reaper and UA Luna. Check the U-SYNC manual for version and installation requirements.

Syncing the Nome and your DAW is done using our state-of-the-art U-SYNC technology. U-SYNC only requires a USB (USB-C power and computer connection) connection between the Nome and your computer, it is insanely precise and very easy to set up. No dedicated audio output is needed.

To set U-SYNC up:

  1. Download it and install it

  2. Load the U-SYNC plugin in your DAW

  3. Connect the Nome to your computer via USB (USB-C power and computer connection)

Important: your Nome will not start your machines automatically when you start your DAW, unless you have enabled the “autoplay” setting by setting A.PL (Auto-Play).

In Ableton, Bitwig, Logic, Cubase, Nuendo, FL Studio, and Reaper, the sync will be bi-directional: you can change tempo or control transport from either the Nome or your DAW.

For Windows, Linux or another DAW without official U-SYNC support: use audio pulses instead. The named Midronome plugin is an example; its available binaries do not establish support for every OS or DAW.

We recommend using our technology U-SYNC to sync Nome and your DAW, but U-SYNC is currently only available on Mac for the DAWs listed on the questionnaire.

On Windows, Linux, or a DAW without official U-SYNC support, you can still sync the Nome to your DAW using this method:

  1. Dedicate one physical audio output for sync.

  2. In your DAW, send regular short sounds to this output (you can use a plugin to generate them like our old “Midronome” plugin).

  3. Connect this output to the Nome’s INPUT (pedal, drum pad or external pulse input) plug.

  4. On the Nome, set inP (INPUT plug mode) to match the speed of your audio - use 24P (24 pulses per quarter note) for the Midronome plugin.

  5. Start DAW playback and check that the Nome follows, and that its SYNC LED (purple) LED lights up.

PS: we plan on releasing a new version of U-SYNC, with support for Windows. Stay tuned!

For standalone operation without a DAW:

Choose your play behavior

The Nome is designed to follow its internal timing, which is always running. You can see which beat it currently is on by looking at TAP tempo button, or by listening to its metronome (click track).

When you press Play 1 button on the Nome, you can either:

  • Start on the next bar (waiting for the purple color on TAP tempo button) - this is the default behavior.

  • Change the rES (reset/resync) (Reset mode) setting to start immediately, “resetting” the bar to when Play 1 button is pressed.

Whichever you choose, the internal timing, the click track, and all your machines will always be in sync with each other.

For DJ equipment: a dedicated regular pulse signal is required; Nome II does not detect the beat of an ordinary song or live audio.

DJ equipment

Nome II currently has no native direct synchronization with DJ equipment. But if you are not syncing the Nome to a DAW, and if your DJ turntable has an extra audio output, the Nome can follow it:

  • Send regular audio sounds at the song’s BPM on that output.

  • Connect it to the Nome’s INPUT (pedal, drum pad or external pulse input) plug.

  • On the Nome, set inP (INPUT plug mode) to match the speed of your audio.

  • Start playback on your DJ equipment and check that the Nome follows, and that its SYNC LED (purple) LED lights up.

See Sync to an analog clock or an audio signal for more info.

PS: we also are working on a hardware expansion for the Nome designed to add synchronization via Ableton Link and Pro DJ Link, which should make it possible to sync natively and easily with most DJ equipment. Stay tuned for more info.

Get the live band on time as well

The large BPM display, rugged metal case, large knob and many remote control options make the Nome ideal for live setups!

For a drummer who can follow a click:

To send the click track to your drummer, connect headphones to the AUDIO (metronome output) port, and set the headphones/line-out switch ( AUDIO mode switch: headphones or balanced line output ) to the headphone position ( headphone output position ).

Alternatively, set the switch to the line-out position ( balanced line output position ), and use a TRS jack cable to send the click track to a balanced line input on your in-ear monitor mixer.

The metronome can use subdivisions on 8th and 16th notes when changing the bar signature setting SIG (time signature). Each sound and volume is configurable, you can choose between 60 different click sounds, and even upload your own custom sounds using the Config Tool.

For remote control, connect pedals, a drum pad/trigger to the INPUT (pedal, drum pad or external pulse input) port. Configure it using the PEd (pedal function) and inP (INPUT plug mode) settings. You can use those to tap tempo, start/stop the Nome, load tempo presets, or even mute/unmute the metronome.

For a drummer who does not follow a click: timing must be adjusted by tapping; this is not automatic beat detection.

You can get the Nome to “manually” follow your drummer by regularly adjusting it. Start the song by counting off one bar with the band, so that the band and the Nome start on time and at the same tempo.

Then, when the live music starts to drift, use Smart Tap Tempo to smoothly readjust the timing of the electronic instruments to match the band.

See Count-off: count done by the musician and Catch up live timing with Smart Tap Tempo for more info.

Both the count-off and the Smart Tap Tempo can be done using:

  • The TAP tempo button button

  • A pedal or footswitch connected to the INPUT (pedal, drum pad or external pulse input) port (configured with the PEd (pedal function) and PE.2 (pedal 2 function) settings)

  • A drum pad or drum trigger connected to the INPUT (pedal, drum pad or external pulse input) port (configured with the inP (INPUT plug mode) setting)

  • A MIDI device sending regular MIDI CC messages to the Nome

You can use multiple of these methods at the same time, for example having the Nome sitting by the synth player, and a drum pad or pedal for the drummer to tap on.

Nome II and U-SYNC technical overview

Nome II is a MIDI Master Clock from Sim’n Tonic for synchronizing electronic instruments and live performance setups. It is the successor to Midronome (Nome I).

What does Nome II do?

Nome II sends MIDI clock and transport to compatible instruments. It also provides analog clock outputs for modular and Eurorack setups, DIN sync with the appropriate adapter and settings, and a built-in audio metronome for musicians.

See Nome II Quick Start: all setup answers for connections and setup, Buttons & Connectors for the physical controls and ports, and Settings for clock and transport settings. Connected instruments must support the relevant clock and transport signals.

What is U-SYNC?

U-SYNC is Sim’n Tonic’s DAW synchronization technology. It uses a plugin and USB connection to synchronize Nome II with a supported DAW, without routing an audio sync track through a dedicated audio-interface output.

This manual covers firmware 5.5 and U-SYNC 1.4.1. U-SYNC is currently documented here for Mac. Windows users can use the separate audio-based 24P workflow; this is not U-SYNC for Windows. Check the current U-SYNC documentation for supported DAWs and installation requirements rather than assuming every DAW is compatible.

Setup, updates and troubleshooting

Product and brand

Sim’n Tonic is the brand behind Nome II and U-SYNC. The current website identifies the company as Sim’n Tonic ApS.

Common setup questions

These answers address questions raised in public Sim’n Tonic forum discussions and other musician communities. They apply to the firmware and U-SYNC versions named above; older forum replies may describe earlier capabilities. For every setup path, see Nome II Quick Start: all setup answers.

Why does my synth or arpeggiator not follow Nome II’s tempo?

Connect Nome II’s OUT 1 or OUT 2 to the instrument’s MIDI IN and configure the instrument to follow external MIDI clock. A setting that merely enables MIDI notes is not necessarily its clock-source setting. Check the receiving instrument’s manual for the exact option. Arpeggiators usually require you to play a note; following the tempo does not mean they start from Nome II’s Play button. Sequencers and drum machines must also support and accept MIDI Start/Stop to follow transport.

See Nome II Quick Start: all setup answers and Buttons & Connectors. A MiniNova setup discussion illustrates the distinction between MIDI input and clock-source settings.

Why is my sequencer running at a different musical rate from the click?

First distinguish the tempo from the number of notes or steps played on each beat. Check the receiving sequencer’s clock division and step length, and Nome II’s SIG time signature and click settings. For analog clock, match the pulses per quarter note expected by the receiving device using An.1 or An.2. For MIDI OUT 2, also check Mi.2, which can divide its MIDI clock rate. Do not assume one sequencer step must occur on every audible metronome click.

See Settings. A Moog Messenger discussion shows why clock rate, cable type and sequencer divisions must be checked separately.

Can I connect a MIDI output to an analog clock input with an adapter?

A passive cable does not convert MIDI messages into analog clock pulses. Use OUT 1/OUT 2 for MIDI inputs and ANLG for compatible analog clock inputs. The ANLG port provides two 5V channels on a 3.5 mm TRS connector; use a TRS-to-two-TS splitter when separate clock and run/reset connections are required, and configure An.1 and An.2 for the receiver. Check its required signal and voltage levels.

For DIN Sync / Sync24, set AnL to din and use the dedicated DIN Sync adapter. DIN Sync uses both ANLG channels and is not interchangeable with TRS-MIDI wiring. See Nome II Quick Start: all setup answers and Settings.

The DAW controls the tempo, but why do my drum machines not start?

Tempo synchronization and starting a sequencer are separate functions. Configure A.PL (Auto-Play) to start the desired MIDI output when external synchronization starts: bot for both outputs, Mi.1 for OUT 1, or Mi.2 for OUT 2. Also check that the receiving machine accepts MIDI Start/Stop. This applies when Nome II follows U-SYNC or the supported audio/analog pulse modes.

See Automatically start and stop sequencers. For a concrete DAW/hardware setup question, see the Ableton hardware discussion.

Can Nome II control my DAW’s tempo and transport while using U-SYNC?

U-SYNC synchronizes Nome II to the DAW. Bidirectional control is an additional integration that lets Nome II send tempo and transport commands back to supported DAWs; it is not the same as making the DAW follow incoming MIDI clock. Follow the U-SYNC manual’s installation and control-integration instructions for your exact DAW and plugin version. The setup reference lists the supported bidirectional DAWs for this documented release. Do not apply an older forum statement about missing DAW control to a newer release without checking its documentation.

See The DAW Control and Nome II Quick Start: all setup answers. This distinction occurs in Logic workflow questions and Logic transport questions.

Should I also enable the Nome II Clock USB-MIDI input when using U-SYNC?

No. The Nome II Clock USB-MIDI input is the separate route for software that follows MIDI clock. The manual explicitly says not to use it with U-SYNC. Choose one synchronization route and configure the U-SYNC DAW-control integration separately where supported. Ordinary MIDI note forwarding through Nome II is a different function.

See The Clock interface, The DAW Control and MIDI Forwarding interfaces Out 1&2.

Does U-SYNC also correct the timing of MIDI notes sent by my DAW?

For U-SYNC 1.4.1, do not assume that clock synchronization also schedules your DAW’s individual MIDI notes. Nome II can merge and forward MIDI data from its USB output interfaces to its physical MIDI outputs, but this is distinct from synchronizing a hardware sequencer’s clock. When diagnosing a late recording, identify whether notes come from a clocked hardware sequencer or from the DAW, then check the DAW’s routing and recording/monitoring latency settings for that path.

See MIDI Forwarding interfaces Out 1&2 and the DAW-sequenced notes discussion. Do not treat a planned feature mentioned in an old thread as a released capability.

Can I distribute Nome II’s clock through a USB-MIDI host or MIDI router?

For timing-sensitive hardware, use Nome II’s physical MIDI outputs where possible. A USB-MIDI host or router introduces another part of the timing path; its behavior must be assessed in the actual setup. Connecting Nome II by USB for U-SYNC does not require you to distribute clock to every instrument over USB. You can use U-SYNC between computer and Nome II, and physical MIDI or ANLG from Nome II to the instruments.

See Nome II Quick Start: all setup answers and the support response in the CME H12MIDI Pro discussion.

Why does Play wait for the next bar instead of starting immediately?

In standalone operation, the default behavior starts playback on the next bar of Nome II’s already-running internal clock. rES (Reset mode) changes the reset/start behavior; use the settings table to choose the immediate-start behavior. Cnt (count-off) and PL.1/PL.2 button functions are separate settings, so check those as well when a button behaves differently from expected.

See Settings and Nome II Quick Start: all setup answers. Start delay and count-in are recurring topics in the Nome questions forum.

Will a looper or a live drummer stay synchronized automatically?

A looper must support external clock, and its response to clock and transport is specific to that model. If it does not follow satisfactorily, the setup reference explains alternatives: send dedicated regular pulses from the looper to Nome II, or use count-off, Smart Tap Tempo and time nudging to keep time manually.

Nome II does not detect the beat in arbitrary live audio. For a drummer who does not follow a click, use count-off and Smart Tap Tempo; these require taps from a person or an appropriate control source. Firmware 5.5 includes Smart Tap Tempo, so older descriptions of the original tap-tempo behavior are not the current instructions.

See Count-off: count done by the musician, Catch up live timing with Smart Tap Tempo and Match external gear’s timing with Time Nudging. Related discussions include looper setup and tap tempo.

Can I use Nome II on Windows, and why are USB-MIDI ports missing after an update?

Nome II’s USB-MIDI functions and the availability of the U-SYNC plugin are separate. For the release covered here, U-SYNC is documented for Mac; Windows users can use the 24P audio-sync workflow instead. The USB-MIDI interfaces may have generic names on Windows. If interfaces are missing after a firmware update, follow the manual’s instructions to remove the previously registered device setup in Windows Device Manager or macOS Audio MIDI Setup, then disconnect and reconnect Nome II.

See USB communication & commands, Update the Nome Firmware and Syncing to your DAW using the 24P mode (Windows).